“There are few authentic prophetic voices among us, guiding truth-seekers along the right path. Among them is Fr. Gordon MacRae, a mighty voice in the prison tradition of John the Baptist, Maximilian Kolbe, Alfred Delp, SJ, and Dietrich Bonhoeffer.”

— Deacon David Jones

Fr. Gordon J. MacRae Fr. Gordon J. MacRae

Evenor Pineda and the Late Mother’s Day Gift

Like many single mothers of prodigal sons, Evenor Pineda’s Mom struggled against formidable forces — the streets, the gangs, jail, then prison — but never gave up.

Like many single mothers of prodigal sons, Evenor Pineda’s Mom struggled against formidable forces — the streets, the gangs, jail, then prison — but never gave up.

May 15, 2024 Fr Gordon MacRae

Toya Graham is not exactly a household name, but odds are you’ve seen her. Just about every cable and network news outlet in America carried a video clip of Mrs. Graham chasing her masked and hooded teenage son down a Baltimore street back in 2015. She searched for him, and found him in the middle of an urban protest surrounded by police in riot gear. Not long after she left with her prodigal son in tow, the crowd erupted into a rampaging mob that laid waste to one of the poorest neighborhoods of Baltimore.

As the news footage of a desperate mother chasing down her son went viral, Toya Graham quickly became a national icon of sorts, a single mother struggling to raise her son alone against the lure of the streets. My heart went out to this woman. The very scene she unwittingly brought to national attention was one I described in a post entitled, “In the Absence of Fathers: A Story of Elephants and Men.” Seven years after it was published, it was cited by the National Catholic Register as being among the best of Catholic blogs because it struck a very exposed nerve in our culture.

I hope you will read it and share it in these weeks between Mother’s Day and Father’s Day in America. That article has been the most widely read and shared post at Beyond These Stone Walls, having been republished in hundreds of venues and shared over 30,000 times on Facebook alone. It told a story that might be the real catalyst behind the looting, raging mobs that overtake inner city streets across America. It is a story about much more than race.

Toya Graham became an icon of the one thing necessary to keep a peaceful and legitimate protest from descending into a lawless mob: a loving, caring, responsible and available parent — preferably two of them in faithful partnership — willing to meet head-on the challenge of parenting. In the now epidemic absence of fathers in neighborhoods like that one in Baltimore — and in prisons all over America — Toya Graham met that challenge heroically, and alone.

A few days later, Mrs. Graham and her son, Michael Singleton, appeared on one of the morning network news shows. He presented as a remarkably articulate and respectful son, traits that no doubt spoke more of his Mom than himself, and he joked that running toward the police in riot gear on that street that day made more sense to him after seeing the look on his mother’s face.

For her part, Mrs. Graham apologized to the nation for a few foul words delivered before cameras in the heat of the moment, but she apologized to no one for the almost comical smack she delivered to the son who towered over her. “As long as I have breath in my body,” she said, “my son will not be down there doing that!” If this blog had a Mother-of-the-Year award, it would have gone to Toya Graham.

But she would have to share it with Rosa Levesque. Rosa is the mother of another young man I know, Evenor Pineda, and I have come to admire her very greatly even though we have never actually met. You have previously met Evenor Pineda however. He appears in a photograph that you will see again below.

Evenor's is a remarkable story of the undying love and urgent hope of a single mother struggling to redeem her prodigal son. It is best to tell it in Evenor’s own words:

Here Is Evenor Pineda:

“I was born on Wednesday, December 30, 1981 to immigrant parents in Nashua, New Hampshire. My father, Cosme, was a political refugee who fought on the losing side of a civil war in Nicaragua. My mother, Rosa, was an orphan adopted into an oppressive and abusive family that emmigrated to the United States. My sister, Lina, was born two years and a day after me, and by her second birthday our mother left our father, fleeing in an attempt to protect us from the drug dealing and growing addiction that was consuming his life and our family.

“As I grew into adolescence with the wonderful woman struggling to raise us alone, I betrayed her faith, hope, and trust by becoming the next male role model in our family to become an abuser and addict, and I added a new twist — a gang member.

“While my mother struggled to pay the bills I did everything to undermine her. Our home became a hangout for the gang. I brought alcohol and drugs into our home and police to our door, because there was no one there to stop me. Under my influence, even my younger sister began to stray into my world, but our mother took a much harder line with her, pulling her back from the brink upon which I lived.

“It wasn’t that my mother didn’t take that same hard line with me. She did. But she also knew that outside our home were the streets always luring her rebellious son from beyond her influence. She knew that she risked losing me forever, so my Mom did what she always did. She struggled as best she could.

“Between the ages of fifteen and eighteen I would drop out of school, be arrested a dozen times, incarcerated four times in both juvenile detention and then county jails, but my mother never gave up on me. Not even when I gave up on myself.

“On my eighteenth birthday, I maxed out of a county jail and was able to land a real job. I held it for five years, but the ties to my gang grew stronger and I simply became better at evading arrest. And my Mom still struggled against them.

“By the time I was twenty-two, I had two beautiful children of my own, my son, Tito and my daughter, Nati. Fatherhood was something I had to learn from scratch, having had no personal experience of it in my life. The relationship I was in with their mother collapsed, but my mother was, as always, right there to help me raise my children. She was an incredible grandmother.

“I was balancing two different lives, however, one as a young father and family man and the other as a gangster. Those two lives collided on April 17, 2005. My friend Kaleek and I had a falling out over drugs that escalated. We both fell victim to the street culture we had embraced, and that would not release us from its grip. It ultimately took Kaleek’s life, and my freedom.

“This marked the lowest point in my life. It was the point at which I learned who my true friends were — and were not — and it reinforced how much the adage is true — that blood is thicker than water. It was a selfish moment in my life where I thought of no one but myself. I knew I suffered, but I had no idea how much I made my family suffer. By this time, my sister, Lina was serving in Iraq, and at a time when I should have been a support to my family, I instead went to prison. I had been in this place for ten years, with eight more left to serve.

“My mother had become both grandmother and mother to my children, and the one mainstay of my life who never stopped struggling to save me. So when there came a time when I had to decide who I am, I looked to the one person who might know. My mother taught me by the sheer force of example the meaning of love and sacrifice, the meaning of parenthood.

“In 2010, I became a volunteer facilitator for the prison’s Alternatives to Violence Program. I trained for this alongside two men you know: Michael Ciresi and Pornchai Moontri. In 2012, Pornchai Moontri and I graduated together from Granite State High School, an accredited school in the Corrections Special School District. My friend, Alberto Ramos.

“One day, my friend, Gordon MacRae showed me an article he wrote about our graduation. It told my friend, Alberto’s story and was titled, “Why You Must Never Give Up Hope for Another Human Being.” It was then that I realized that I must never give up on myself. I know you have seen the photograph of us that I am told is now rather famous. That is Pornchai in the middle with Alberto just behind and to his right.

“I am on the left, and clearly in the very best of company. Gordon is not in the picture, but stood next to the photographer. We were all proudly showing him our diplomas.

“In the ensuing years I served with my friend Gordon on the Resident Communications Committee (RCC), a representative group of ten prisoners that met monthly with prison administration to keep open channels of communication and to try to make this a better and safer environment. After a year I was appointed co-chairman of the RCC having been nominated for that post by Gordon. I want to thank him. At least, I think I do!

“I also was a member of Hobby Craft and its woodworking department where I have learned the skill to produce furniture and other items that were then sold to the public. I used the funds I earned to help my mother and my children, and also to further my education. Through this effort, I was able to afford one or two courses per semester at New England College which had a presence in this prison.

“I formally renounced my gang membership. There was no longer any room for that past in my present. I remember something my friend, Pornchai Moontri wrote in an article I read. ‘One day I woke up with a future when up to then all I ever had was a past.’ Sometimes the truth just smacks you in the head. Today, I find reason to be proud, not only of my mother, but my sister, Staff Sergeant Lina Pineda of the New Hampshire National Guard, and of my children. I am their future, and it is an awesome responsibility from which I must not shrink.

“When we graduated from high school in 2012, Gordon MacRae was there to hear Pornchai’s great graduation speech. He wrote about this in an article I read. I gave a speech that day, too. My mother, Rosa, was there, and I wrote it for her. Gordon later asked me for a copy, and then asked me to let him reproduce it here.”

Evenor Pineda’s Commencement Speech:

“Not everyone is fortunate enough to have an opportunity to receive an education or to have parents to encourage their education. I, however, was one of those fortunate enough to have both an opportunity and someone who cared enough to show interest in my education.

“Yet I then took for granted what I now recognize was then a luxury and I squandered a wonderful opportunity to seize a controlling stake in my future. It was a future which up until high school was very promising. All I had to do was stay the course.

“It was a far cry from other children in the world not as fortunate as I was to have a parent who cared and who valued education, children whose future is bleak, at best. The most shameful part about this is that I knew how good I had it and how bad others did.

“I know of such a woman whose childhood was the polar opposite of mine. She was parentless at the age of three, placed in an orphanage with her six sisters all of whom were eventually placed with different families. At nine she found herself in a home where she was denied an education, robbed further of her childhood, forced into a life of servitude: cooking, cleaning, caring for that family’s biological children, and abused both physically and mentally. She was told that she would amount to nothing, would be nothing.

“Yet this woman did not allow circumstance to dictate her future, and as fate would have it, when the family she was living with emmigrated to the United States, the Land of Opportunity, she did just that. She seized an opportunity and a controlling stake in her future. At the age of just seventeen in a foreign land, she struck out on her own, started her own family, learned English, and with only a third grade education, earned her GED.

“Then she earned a college certificate in her field of work, earned her citizenship, earned a home, and earned the American dream. It was a dream this woman, my Mother, struggled to obtain, and I was a product of that American dream. I was born into an opportunity not afforded to my mother, yet she — unlike me — capitalized on her opportunities.

“I had to endure great loss and suffering to finally grasp and understand to what lengths my mother had to struggle and sacrifice to solidify her place in this country, and how much it must have pained her to see me throw away the opportunities bestowed upon me.

“Not everyone is fortunate enough to have an opportunity at an education, let alone a second chance. This is why this diploma has taken on a whole new meaning. It is a step toward redeeming myself to my mother and my family. It is a symbol of my commitment to follow in the steps of my mother in pursuing the American Dream.

“I’m sorry to be late this Mother’s Day, Mom, and all the Mother’s Days past. I love you, and I thank you. I am so very proud of you. Your struggle has not been in vain.”

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Editor’s Note: Evenor emerged from prison in 2017 and has never returned. He is today the Intervention Programming Coordinator for the Manchester Police Athletic League where he diverts many young people from the lure of the streets. He has also assisted other inmates emerging from prison by challenging them to employ the tools needed to move forward. He is today an outstanding father thanks to the support of an outstanding mother.

Thank you for reading and sharing Evenor’s profoundly moving story. You may also like these related posts from Beyond These Stone Walls:

In the Absence of Fathers: A Story of Elephants and Men

Why You Must Never Give Up Hope for Another Human Being

Pornchai Moontri and the Long Road to Freedom

For Darryll Bifano, the Currency of Debt Is Mercy

The Eucharistic Adoration Chapel established by Saint Maximilian Kolbe was inaugurated at the outbreak of World War II. It was restored as a Chapel of Adoration in September, 2018, the commemoration of the date that the war began. It is now part of the World Center of Prayer for Peace. The live internet feed of the Adoration Chapel at Niepokalanow — sponsored by EWTN — was established just a few weeks before we discovered it and began to include in at Beyond These Stone Walls. Click “Watch on YouTube” in the lower left corner to see how many people around the world are present there with you. The number appears below the symbol for EWTN.

Click or tap here to proceed to the Adoration Chapel.

The following is a translation from the Polish in the image above: “Eighth Star in the Crown of Mary Queen of Peace” “Chapel of Perpetual Adoration of the Blessed Sacrament at Niepokalanow. World Center of Prayer for Peace.” “On September 1, 2018, the World Center of Prayer for Peace in Niepokalanow was opened. It would be difficult to find a more expressive reference to the need for constant prayer for peace than the anniversary of the outbreak of World War II.”

For the Catholic theology behind this image, visit my post, “The Ark of the Covenant and the Mother of God.”

 
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Behold the Man, as Pilate Washes His Hands

“Ecce Homo!” An 1871 painting of Christ before Pilate by Antonio Ciseri depicts a moment woven into the fabric of salvation history, and into our very souls.

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“Ecce Homo!” An 1871 painting of Christ before Pilate by Antonio Ciseri depicts a moment woven into the fabric of salvation history, and into our very souls.

So when Pilate saw that he was gaining nothing, but rather that a riot was beginning, he took water and washed his hands before the crowd saying, ‘I am innocent of this righteous man’s blood.’
— Matthew 27: 24

A now well known Wall Street Journal  article, “The Trials of Father MacRae” by Dorothy Rabinowitz (May 10, 2013) had a photograph of me — with hair, no less — being led in chains from my 1994 trial. When I saw that photo, I was drawn back to a vivid scene that I wrote about during Holy Week two years ago in “Dismas, Crucified to the Right: Paradise Lost and Found.” My Holy Week post began with the scene depicted in that photo and all that was to follow on the day I was sent to prison. It was the Feast of Saint Padre Pio, September 23, 1994, but as I stood before Judge Arthur Brennan to hear my condemnation, I was oblivious to that fact.

Had that photo a more panoramic view, you would see two men shuffling in chains ahead of me toward a prison-bound van. They had the misfortune of being surrounded by clicking cameras aimed at me, and reporters jockeying for position to capture the moment to feed “Our Catholic Tabloid Frenzy About Fallen Priests.” That short walk to the prison van seemed so very long. Despite his own chains, one of the two convicts ahead of me joined the small crowd in mockery of me. The other chastised him in my defense.

Writing from prison 18 years later, in Holy Week 2012, I could not help but remember some irony in that scene as I contemplated the fact of “Dismas, Crucified to the Right.” That post ended with the brief exchange between Christ and Dismas from their respective crosses, and the promise of Paradise on the horizon in response to the plea of Dismas: “Remember me when you come into your kingdom.” This conversation from the cross has some surprising meaning beneath its surface. That post might be worth a Good Friday visit this year.

But before the declaration to Dismas from the Crucified Christ — “Today, you will be with me in Paradise” (Luke 23:43) — salvation history required a much more ominous declaration. It was that of Pontius Pilate who washed his hands of any responsibility for the Roman execution of the Christ.

Two weeks ago, in “What if the Prodigal Son Had No Father to Return To?”, I wrote of my fascination with etymology, the origins of words and their meanings. There is also a traceable origin for many oft-used phrases such as “I wash my hands of it.” That well-known phrase came down to us through the centuries to renounce responsibility for any number of the injustices incurred by others. The phrase is a direct allusion to the words and actions of Pontius Pilate from the Gospel of Saint Matthew (27: 24).

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Before Pilate stood an innocent man, Jesus of Nazareth, about to be whipped and beaten, then crowned with thorns in mockery of his kingship. Pilate had no real fear of the crowd. He had no reason to appease them. No amount of hand washing can cleanse from history the stain that Pilate tried to remove from himself by this symbolic washing of his hands.

This scene became the First Station of the Cross. At the Shrine of Lourdes the scene includes a boy standing behind Pilate with a bowl of water to wash away Pilate’s guilt. My friend, Father George David Byers sent me a photo of it, and a post he once wrote after a pilgrimage to Lourdes:

Some of you may be familiar with ‘The High Stations’ up on the mountain behind the grotto in Lourdes, France. The larger-than-life bronze statues made vivid the intensity of the injustice that is occurring. In the First Station, Jesus, guarded by Roman soldiers, is depicted as being condemned to death by Pontius Pilate who is about to wash his hands of this unjust judgment. A boy stands at the ready with a bowl and a pitcher of water so as to wash away the guilt from the hands of Pilate . . . Some years ago a terrorist group set off a bomb in front of this scene. The bronze statue of Pontius Pilate was destroyed . . . The water boy is still there, eager to wash our hands of guilt, though such forgiveness is only given from the Cross.
 
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The Writing on the Wall

As that van left me behind these stone walls that day nearly twenty years ago, the other two prisoners with me were sent off to the usual Receiving Unit, but something more special awaited me. I was taken to begin a three-month stay in solitary confinement. Every surface of the cell I was in bore the madness of previous occupants. Every square inch of its walls was completely covered in penciled graffiti. At first, it repulsed me. Then, after unending days with nothing to contemplate but my plight and those walls, I began to read. I read every scribbled thought, every scrawled expletive, every plea for mercy and deliverance. I read them a hundred times over before I emerged from that tomb three months later, still sane. Or so I thought.

When I read “I Come to the Catholic Church for Healing and Hope,” Pornchai Maximilian Moontri’s guest post last month, I wondered how he endured solitary confinement that stretched for year upon year. “Today as I look back,” he wrote, “I see that even then in the darkness of solitary confinement, Christ was calling me out of the dark.” It’s an ironic image because one of the most maddening things about solitary confinement is that it’s never dark. Intense overhead lights are on 24/7.

The darkness of solitary confinement he described is only on the inside, the inside of a mind and soul, and it’s a pitch blackness that defies description. My psyche was wounded, at best, after three months. I cannot describe how Pornchai endured this for many years. But he did, and no doubt those who brought it about have since washed their hands of it.

For me, once out of solitary confinement, the writing on the walls took on new meaning. In “Angelic Justice: St Michael the Archangel and the Scales of Hesed” a few years back, I described a section of each cell wall where prisoners are allowed to post the images that give meaning and hope to their lives. One wall in each cell contains two painted rectangles, each barely more than two by four feet, and posted within them are the sole remnant of any individualism in prison. You can learn a lot about a man from that finite space on his wall.

When I was moved into this cell, Pornchai’s wall was empty, and mine remained empty as well. Once These Stone Walls began in 2009, however, readers began to transform our wall without realizing it. Images sent to me made their way onto the wall, and some of the really nice ones somehow mysteriously migrated over to Pornchai’s wall. A very nice Saint Michael icon spread its wings and flew over to his side one day. That now famous photo of Pope Francis with a lamb placed on his shoulders is on Pornchai’s wall, and when I asked him how my Saint Padre Pio icon managed to get over there, he muttered something about bilocation.

 
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Ecce Homo!

One powerful image, however, has never left its designated spot in the very center of my wall. It’s a five-by-seven inch card bearing the 1871 painting, “Ecce Homo!” — “Behold the Man!” — by the Swiss-born Italian artist, Antonio Ciseri. It was sent to me by a TSW reader during Holy Week a few years ago. The haunting image went quickly onto my cell wall where it has remained since. The Ciseri painting depicts a scene that both draws me in and repels me at the same time.

On one dark day in prison, I decided to take it down from my wall because it troubles me. But I could not, and it took some time to figure out why. This scene of Christ before Pilate captures an event described vividly in the Gospel of Saint John (19:1-5). Pilate, unable to reason with the crowd has Jesus taken behind the scenes to be stripped and scourged, a mocking crown of thorns thrust upon his head. The image makes me not want to look, but then once I do look, I have a hard time looking away.

When he is returned to Pilate, as the scene depicts, the hands of Christ are bound behind his back, a scarlet garment in further mockery of his kingship is stripped from him down to his waist. His eyes are cast to the floor as Pilate, in fine white robes, gestures to Christ with his left hand to incite the crowd into a final decision that he has the power to overrule, but won’t. “Behold the Man!” Pilate shouts in a last vain gesture that perhaps this beating and public humiliation might be enough for them. It isn’t.

I don’t want to look, and I can’t look away because I once stood in that spot, half naked before Pilate in a trial-by-mob. On that day when I arrived in prison, before I was thrown into solitary confinement for three months, I was unceremoniously doused with a delousing agent, and then forced to stand naked while surrounded by men in riot gear, Pilate’s guards mocking not so much what they thought was my crime, but my priesthood. They pointed at me and laughed, invited me to give them an excuse for my own scourging, and then finally, when the mob was appeased, they left me in the tomb they prepared, the tomb of solitary confinement. Many would today deny that such a scene ever took place, but it did. It was twenty years ago. Most are gone now, collecting state pensions for their years of public service, having long since washed their hands of all that ever happened in prison.

 
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Behold the Man!

I don’t tell this story because I equate myself with Christ. It’s just the opposite. In each Holy Week post I’ve written, I find that I am some other character in this scene. I’ve been “Simon of Cyrene, Compelled to Carry the Cross.” I’ve been “Dismas, Crucified to the Right.” I tell this story first because it’s the truth, and second because having lived it, I today look upon that scene of Christ before Pilate on my wall, and I see it differently than most of you might. I relate to it perhaps a bit more than I would had I myself never stood before Pilate.

Having stared for three years at this scene fixed upon my cell wall, words cannot describe the sheer force of awe and irony I felt when someone sent me an October 2013 article by Carlos Caso-Rosendi written and published in Buenos Aires, Argentina, the home town of Pope Francis. The article was entitled, “Behold the Man!” and it was about my trial and imprisonment. Having no idea whatsoever of the images upon my cell wall, Carlos Caso-Rosendi’s article began with this very same image: Antonio Ciseri’s 1871 painting, “Ecce Homo!” TSW reader, Bea Pires, printed Carlos’ article and sent it to Pope Francis.

I read the above paragraphs to Pornchai-Maximilian about the power of this scene on my wall. He agrees that he, too, finds this image over on my side of this cell to be vaguely troubling and disconcerting, and for the same reasons I do. He has also lived the humiliation the scene depicts, and because of that he relates to the scene as I do, with both reverence and revulsion. “That’s why it stay on your wall,” he said, “and never found its way over to mine!”

Aha! A confession!

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